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The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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“Happy” Reflects the Best of Jin’s Voice and Values
The SB Mixtape, 11/14/2024: Surprises
G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
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A Virtuous Business: Friendships and Breaking Taboos
KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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Week in Review, 11/18 to 11/24
For Your Viewing Pleasure: Cool Blue Dawn
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The SB Mixtape, 11/14/2024: Surprises
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Tag: MV Review
A Tender “As You Told Me” From Kim Na-young
Get Soaked with Shannon’s “Daybreak Rain”
10cm and the Domestic Nostalgia of a Break-Up
Dabit Makes a Sad Comeback with “Zone Out”
Got7 Face Ideals In “Stop Stop It”
Boys Republic’s “The Real One” Is A Successful End to a Trilogy
Hello Venus Ditches the Sweet for the “Sticky Sticky”
Lovelyz Pre-Release “Good Night Like Yesterday”
LEGEND is Delirious in “Lost”
Zico’s “Tough Cookie” Isn’t Very Sweet
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