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Editors' Picks
The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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The SB Mixtape, 11/14/2024: Surprises
G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
The SB Mixtape, 10/31/2024: A Bittersweet Symphony
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Big Bang
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KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
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Taemin
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Concert Review
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Zico
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NCT 127
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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Twice
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Seoulbeats Segments
Week in Review, 11/11 to 11/17
The SB Mixtape, 11/14/2024: Surprises
For Your Viewing Pleasure: Pop, Pop, Pop
Week in Review, 11/4 to 11/10
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Tag: Film Review
Love, Lust, and Nudity: Lee Sang-woo’s “Walking Street”
From Welsh Book to Korean Film: Park Chan-wook’s “The Handmaiden”
Yoo Ah-in is Exquisitely Restrained in “The Throne”
‘The Advocate: A Missing Body’ Takes a Stab at Dark Humor
‘Nineteen’ and the Dreams of Youth
When “Sea Fog” Falls, Madness Descends
“Ode to My Father”: A Tearful History
My Love, Don’t Cross That River: Simple Essence
Fashion King: What a Commercial Film Misses
T.O.P Takes on Action in “Commitment”
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