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SB Mid-Year Review, 2022: An Abundance of Charismatic Debuts
Nayeon Makes a Spectacularly Simple Solo Debut with “Pop!”
Wonho Misses The Potential to Explore His Duality in “Facade”
Victon Enter a Hazy, Dark Dreamscape in “Stupid O’Clock”
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MV Review
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Album Review
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SB Mid-Year Review
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Music
Kep1er are On the Way Up with “Doublast”
SB Mid-Year Review, 2022: An Abundance of Charismatic Debuts
Side B: Riding the Highs and Lows with Mamamoo
Pixy are Chic, Bewitched Antiheroes in “Reborn”
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Mamamoo
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Side B
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Music
Idols
Screen
Our Blues, Ep. 11-20: Heartwarming and Heartbreaking Till the End
Green Mothers’ Club, Ep. 9-16: The Pursuit of Happiness
Tomorrow: A Flawed but Compassionate Probe into Human Despair
Our Blues, Ep. 1-10: Exploring the Bitter Blues of Life
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Drama Review
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Shin Min Ah
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Kim Woo-bin
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Cha Seung-won
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Lee Soo-hyuk
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Film
Drama
TV
Culture
Pass the K-popcorn: Predicting 2022
GOT the Beat: A Disastrous Attempt at Girl Power That Instead Exemplifies K-pop’s Misogyny Problem
Home Sweet Home?: Horror and Home in “Squid Game” and K-pop MVs
Youth, Rebellion, and the Pressure of Korea’s Education Fever
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BTS
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SM Entertainment
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Red Velvet
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BoA
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Taeyeon
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Seoulbeats Segments
SB Mid-Year Review, 2022: An Abundance of Charismatic Debuts
Week in Review, 6/20 to 6/26
Side B: Riding the Highs and Lows with Mamamoo
For Your Viewing Pleasure: Step into the Light
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For Your Viewing Pleasure (FYVP)
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Got7
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Home
Humor
Humor
Kountry: The Start of Something New
BTS Is The Absolute Worst in K-pop
Five Things to Do Instead of Falling Into a Fan War
Rough Translation: Blackface Makes a Comeback with “Nick Fury” (Featuring Henry)
The Rise and Fall of SwiftLee
BREAKING: Bobby Disses Mino, Starts a MOBB War
Boys Generally Asian Generally Impress in Debut MV “Dong Saya Dae”
SM’s Impending World Domination
Five Things That are Just as Sadistic as The Boss is Watching
What’s Safer Than ISAC? Anything Else, Probably
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