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Support Seoulbeats: Annual Fundraiser 2022
SB Mid-Year Review, 2022: Alternative Dance Styles Catch the Eye
SB Mid-Year Review, 2022: An Abundance of Charismatic Debuts
Nayeon Makes a Spectacularly Simple Solo Debut with “Pop!”
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Nayeon’s “IM NAYEON” Is A Sweet Return to the Tried and True
Youngjae’s “SUGAR” is Delightfully Addictive and Cozy
The SB Mixtape, 06/30/2022: The Power of Restraint
Kep1er are On the Way Up with “Doublast”
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SB Mid-year Review, 2022: Meaningful Dramas Steal the Show
Sparks of Ideas Fail to Ignite in Lukewarm Money Heist Remake
Why Her?, Ep 1-8: Developed Leads Outshine Everything Else
Our Blues, Ep. 11-20: Heartwarming and Heartbreaking Till the End
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Pass the K-popcorn: Predicting 2022
GOT the Beat: A Disastrous Attempt at Girl Power That Instead Exemplifies K-pop’s Misogyny Problem
Home Sweet Home?: Horror and Home in “Squid Game” and K-pop MVs
Youth, Rebellion, and the Pressure of Korea’s Education Fever
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Seoulbeats Segments
SB Mid-Year Review, 2022: Creative Comebacks Take Centre Stage
The SB Mixtape, 06/30/2022: The Power of Restraint
SB Mid-Year Review, 2022: Alternative Dance Styles Catch the Eye
Beats of the Month: BL Drama Hits and Misses & Standout Dances from Psy and Astro
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Tag: Album Review
Nayeon’s “IM NAYEON” Is A Sweet Return to the Tried and True
Youngjae’s “SUGAR” is Delightfully Addictive and Cozy
Kep1er are On the Way Up with “Doublast”
Pixy are Chic, Bewitched Antiheroes in “Reborn”
Wonho Misses The Potential to Explore His Duality in “Facade”
Seventeen’s “Face the Sun”: A Sophisticated Ode to the Group’s Many Charms
Onewe Look Back on Their Story in “Timeless”
Got7 are Unapologetically Themselves in “GOT7”
Oneus are Cunning and Confident (and maybe Time Travelers) in “Trickster”
Woosung Highlights the Beauty Within the Seemingly Mundane with “Moth”
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