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Black Knight: Netflix’s Latest Dystopia Signals the End of Original Apocalypses
Unsung Artists: March – April 2023
Seventeen’s “Super” Reimagines Cultural References with Grandiose Simplicity
NCT DoJaeJung’s “Perfume” Lingers as a Perfect Scent
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Music
“Icky” Sees Kard Dive Into The Surreal
The Wind are a Breath of Fresh Air in “Beginning: The Wind Page”
The SB Mixtape, 05/18/2023: Strut
(G)I-dle Tackle Self-image Issues in Y2K Inspired “Allergy” MV
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MV Review
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Album Review
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SB Mixtape
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Red Velvet
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Idols
Screen
Black Knight: Netflix’s Latest Dystopia Signals the End of Original Apocalypses
The Heavenly Idol: A Bewildering Story with No Sense of Time
Crash Course in Romance: Lessons on Chemistry and Charming Characters
The Interest of Love: Lack of Direction Leads Premise Astray
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Drama Review
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Kim Woo-bin
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Yoo Yeon-seok
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Jung Kyung Ho
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Moon Ga-young
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Film
Drama
TV
Culture
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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TV/Variety
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Twice
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NCT
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Dreamcatcher
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Seoulbeats Segments
Week in Review, 5/22 to 5/28
For Your Viewing Pleasure: Grunge Glamour
Week in Review, 5/15 to 5/21
The SB Mixtape, 05/18/2023: Strut
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SNSD
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Tag Archive
Tag: GD&TOP
Sub-units: Sublime or Subpar?
The SB Mixtape, 09/03/2020: It Takes Two
The SB Mixtape: 4/10/2019, The Anti-Anxiety Edition
The SB Mixtape, 4/8/2018: I Feel Good
Olympic Champions of K-Pop (The SB Mixtape, 2/9/2018)
The SB Mixtape: 12/13/2017, Baby, It’s Cold Outside
Unbiased Review: MOBB’s “Hit Me” and “Full House” are no Knockout
The SB Mixtape: 9/7/2016, Relationship Goals
The SB Mixtape: 5/18/2016, I Love The 80s!
GD & TOP Make a Triumphant Return with “Zutter”
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