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Editors' Picks
Monsta X’s “Shape of Love” is Finely-Tuned K-pop That Comes From Experience
Jessi Criticises the Toxicity and Artificiality of Social Media in “Zoom”
Woodz: K-pop’s Professional Virtuoso
Pass the K-popcorn: The Worst (and Best) of Romcom Tropes
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MV Review
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Album Review
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Monsta X
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Jessi
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Woodz
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Music
AB6IX’s “Savior” is Unfortunately Underwhelming
Oneus Exude Confidence and Energy in “Bring it on”
Woosung Highlights the Beauty Within the Seemingly Mundane with “Moth”
The SB Mixtape, 05/19/2022: Unwind with Chill Hip Hop
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MV Review
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Album Review
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SB Mixtape
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Seoulbeats Segments
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Oneus
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Music
Idols
Screen
Our Blues, Ep. 1-10: Exploring the Bitter Blues of Life
Pachinko: An Ambitious and Epic Family Portrait of Resilience
Green Mothers’ Club, Ep. 1-8: A Critique on the Pressures of Academic Success
Soundtrack #1: Exploring the Beauty of Subtle, Everyday Romance
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Drama Review
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Shin Min Ah
,
Cha Seung-won
,
Kim Woo-bin
,
Park Hyung-sik
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Film
Drama
TV
Culture
Pass the K-popcorn: Predicting 2022
GOT the Beat: A Disastrous Attempt at Girl Power That Instead Exemplifies K-pop’s Misogyny Problem
Home Sweet Home?: Horror and Home in “Squid Game” and K-pop MVs
Youth, Rebellion, and the Pressure of Korea’s Education Fever
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BTS
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SM Entertainment
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Red Velvet
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BoA
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Taeyeon
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Seoulbeats Segments
For Your Viewing Pleasure: Lines and Light
Week in Review, 5/16 to 5/22
The SB Mixtape, 05/19/2022: Unwind with Chill Hip Hop
For Your Viewing Pleasure: Pretty in Pink
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For Your Viewing Pleasure (FYVP)
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SB Week in Review
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SB Mixtape
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Winner
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Yuri
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Home
Tag Archive
Tag: Amoeba Culture
Roundtable: K-pop Rivalries, Feuds, and Showdowns
Follow the Movement Tour in San Francisco: AOMG and DIY Hip Hop Labels
History of K-pop: 2015, Old Faces Return, and New Faces Make History
Amoeba Culture Brings the House Down in Atlanta
“Just” Perfection with Zion.T and Crush
Amoeba Culture Coming to the US
Gaeko Goes Solo (With a Little Bit of Help)
Rapper Simon D Leaves Amoeba Culture
Roundtable: Is Korean Hip-Hop Getting a Bad Rap?
The Amoeba Culture Edition: K-Hip-Hop and “Control,” Part 2
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