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Unsung Artists: February 2024
Unsung Artists: January 2024
My Demon: Choices and Consequences
The Cross-Genre Experiment Fails in Gyeongseong Creature Ep 8-10
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Onewe Know Their Niche in “Planet Nine: Isotropy”
Bite Review: Zico and Jennie are Effortlessly Hip in “Spot!”
‘Yuq1’ Highlights Yuqi’s Weaknesses
The SB Mixtape, 04/18/2024: Love is Elemental
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Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
The Cross-Genre Experiment Fails in Gyeongseong Creature Ep 8-10
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Park Min-young
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Park Seo-joon
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Lee Dong-wook
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Han So-hee
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Drama
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Twice
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Seoulbeats Segments
Week in Review, 4/29 to 5/5
Beats of the Month: Ador v. Hybe, & Tunes For the Changing Seasons
For Your Viewing Pleasure: An Edgy Spring
Week in Review, 4/22 to 4/28
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Sistar Gives Fans Proper Goodbye with “Lonely”
Unsung Artists: May 2017
The SB Mixtape: 5/31/2017, Slow Wine
K-pop Indie Gem: Miso
B.I.G.’s “Hello Hello” Deserves More Than This Performance MV
SoundCloud and K-pop: Where Artists Find Creative Freedom
Seventeen’s “Don’t Wanna Cry” is a Collage of Sorrowful Yearning
Dean and Syd Explore the Wonders of “love”
Dumbfoundead Breaks into the Korean Scene with “Foreigner”
A Side by Side Look at iKon’s “B-Day” and “Bling Bling”
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