Dreamcatcher Brings ‘King’s Raid’ to Life with Mystical “Déjà vu” MV

Following their previous single “PIRI” off of their fourth EP The End of Nightmare, Dreamcatcher welcomed the fall with a collaboration between mo…

“Poison: Fear” Paints Seventeen’s Darkest Artistic Fears

"There's a picture of Uncle Walt up there. What does he remind you of? Don't think, answer. Go on." "A m- m- m- madman." "What kind of madman?" "A cr-…

Bolbbalgan4 Consoles the Average Viewer as a Fellow “Workaholic”

After having released earlier hits this year -- such as “Bom” and “To My Youth” -- rising Indie duo Bolbbalgan4 (Bol4) returned with EP Two Five a…

“Devil” Highlights CLC’s Versatility

CLC have returned to cast away any doubt about their true colours -- sass and fire within -- in the appropriately named digital single, "Devil". T…

Wheein’s “Goodbye” Impresses, but Barely

Mamamoo's Wheein returned with her second single, "Goodbye" a year after her debut as a solo artist. Where "Easy" was a pop-influenced R&B tra…

Onewe Are Stars in the Making in “Regulus”

It has been a decade since the debut of iconic K-pop bands CNBlue and FT Island. Since then, a new generation of exciting bands, including Day6, …

Sunmi Carves Out Her Own Aesthetic in “Lalalay”

One thing that Sunmi isn't is a fluke. Since the unfortunate disbandment of Wonder Girls, Sunmi has extravagantly carved out her own space within …

X1’s “Flash” is Slick and Sleek, but Far Too Safe

While first impressions are often misleading, it can be exciting to greet a new group that goes out of its way to make an impact. However, thanks …

Park Jimin’s “Stay Beautiful” is Refreshing but Insubstantial

After announcing that she would not be renewing her contract with JYP Entertainment, 15&’s Park Jimin has released her final song and MV with …

Red Velvet Return to the Familiar for “Umpah Umpah”

With quite a collection of earworms under their belt, it has become clear that SM has a formula for successful Red Velvet red comeback: a chanted …