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SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
Join the Seoulbeats Writing Team!
“Supernova” is Campy, Chaotic, and Peak Aespa
Unsung Artists: February 2024
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SB Mid-Year Review, 2024: Experimentation and Storytelling Stand Out in Albums
Dreamcatcher’s “Justice” Struggles with A Cohesive Topic
Red Velvet Play It Safe in “Cosmic”
Jaejoong’s “Flower Garden” Never Quite Reaches Great
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The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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For Your Viewing Pleasure: Sunshine & Rainbows
SB Mid-Year Review, 2024: Bold Imagery is the Name of the (Female-Dominated) MV Game
For Your Viewing Pleasure: Chaos in Colour
Week in Review, 7/8 to 7/14
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Tag Archive
Tag: MV Review
Bite Review: Zico and Jennie are Effortlessly Hip in “Spot!”
BoyNextDoor Opt for Surrealism in “Earth, Wind & Fire”
Bite Review: Kiss of Life’s “Midas Touch” is Pure Y2K Nostalgia, For Better and For Worse
The Boyz’s “Nectar” Captures the Complexities of Growing Up
Chungha Makes a Supremely Confident, Long-Awaited Return with “Eenie Meenie”
IU and DPR Ian Weave a Magical Tale of Abundance in “Shopper”
Ten Hypnotizes with “Nightwalker”
Riize Aims for a New Twist on Nostalgia in “Love 119”
Minho Heals His Solo Angst with Youthful Charm in “Stay for a Night”
Itzy Fails to Thrill with “Mr. Vampire”
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