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SB Mid-Year Review, 2022: An Abundance of Charismatic Debuts
Nayeon Makes a Spectacularly Simple Solo Debut with “Pop!”
Wonho Misses The Potential to Explore His Duality in “Facade”
Victon Enter a Hazy, Dark Dreamscape in “Stupid O’Clock”
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Kep1er are On the Way Up with “Doublast”
SB Mid-Year Review, 2022: An Abundance of Charismatic Debuts
Side B: Riding the Highs and Lows with Mamamoo
Pixy are Chic, Bewitched Antiheroes in “Reborn”
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Our Blues, Ep. 11-20: Heartwarming and Heartbreaking Till the End
Green Mothers’ Club, Ep. 9-16: The Pursuit of Happiness
Tomorrow: A Flawed but Compassionate Probe into Human Despair
Our Blues, Ep. 1-10: Exploring the Bitter Blues of Life
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Shin Min Ah
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Kim Woo-bin
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Pass the K-popcorn: Predicting 2022
GOT the Beat: A Disastrous Attempt at Girl Power That Instead Exemplifies K-pop’s Misogyny Problem
Home Sweet Home?: Horror and Home in “Squid Game” and K-pop MVs
Youth, Rebellion, and the Pressure of Korea’s Education Fever
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Seoulbeats Segments
SB Mid-Year Review, 2022: An Abundance of Charismatic Debuts
Week in Review, 6/20 to 6/26
Side B: Riding the Highs and Lows with Mamamoo
For Your Viewing Pleasure: Step into the Light
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Tag Archive
Tag: MV Review
Woosung Transforms into a Solo Artist for “Phase Me”
Woodz Takes Us Back to the Early 2000s with “I hate you”
TXT Surrender Gloriously to Their Dark Side in “Good Boy Gone Bad”
Le Sserafim Debuts with Surprisingly Minimalist “Fearless”
Monsta X Perfects a Flashy, Dazzling “Love” Song
Jessi Criticises the Toxicity and Artificiality of Social Media in “Zoom”
Kwon Eun-bi Comes Back Strong With “Glitch”
Changes are On the Way in Ghost9’s “X-Ray”
Suho Solidifies Himself as a Solo Artist with “Hurdle”
Ive’s “Love Dive” Adds Camp But Misses a Creative Edge
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