KARD Explores Their Sensuality in “Bomb Bomb”
KARD is trading in their days in the tropical sun to take over the night with their next digital single, “Bomb Bomb”. Since their (unofficial) deb…
Tag: MV Review
DIA Thrives in the Electrifying “Woowa”
While T-ara undergoes a long hiatus, their signature disco-pop tracks left a substantial void in K-pop. Shinsadong Tiger, the producer responsible…
Mamamoo’s “Gogobebe” is a Fun but Anticlimactic Finale
Mamamoo just concluded their Four Seasons project with the winter release of White Wind, and the MV for its title song, “Gogobebe”. The project, w…
Ravi’s “Tuxedo” Shows Good-vibes and Personal Growth
“Tuxedo” is characteristically Ravi: it maintains some of what he has always done well, but it’s plagued by questionable choices; it’s a groovy dance …
Special Effects Obscure the True Value of TXT’s “Crown”
What makes a good debut? More than looking to the usual indicators of a commercially successful "monster rookie"—MV view counts, music show wins, …
Sunmi’s Dark Wit Captivates in “Noir”
2018 saw the resurgence of female soloists fully take shape, with women taking the stage in evocative ways; bringing their own life experiences to…
Dongwoo Embraces Dark Emptiness in”News”
"Goodbye." The impactful opening to this downbeat song sets the context for the rest of the music video but also ties in perfectly with the theme …
(G)I-dle Stumble with “Senorita”
The Latin trend in K-pop is still alive and well. Though Cube’s rookie girl group (G)I-dle throws an unexpected structure and unique raps into the…
Loona Evolves and Excites with “Butterfly”
"Stan Loona," the internet said, and boy did "Butterfly" (and [X X]) make me want to. Garnering more than 17 million views over a week, the music …
Taemin’s “Want” Tempts with Desire
“Sensual” is a term that goes hand in hand with the name Taemin. The youngest member of Shinee is returning to focus on his solo work this year, s…