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Unsung Artists: February 2024
Unsung Artists: January 2024
My Demon: Choices and Consequences
The Cross-Genre Experiment Fails in Gyeongseong Creature Ep 8-10
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Sistar
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Mamamoo
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Unsung Artists
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Music
Onewe Know Their Niche in “Planet Nine: Isotropy”
Bite Review: Zico and Jennie are Effortlessly Hip in “Spot!”
‘Yuq1’ Highlights Yuqi’s Weaknesses
The SB Mixtape, 04/18/2024: Love is Elemental
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Album Review
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SB Mixtape
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Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
The Cross-Genre Experiment Fails in Gyeongseong Creature Ep 8-10
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Park Min-young
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Park Seo-joon
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Lee Dong-wook
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Han So-hee
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Drama
TV
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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TV/Variety
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Twice
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NCT
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Dreamcatcher
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Seoulbeats Segments
For Your Viewing Pleasure: An Edgy Spring
Week in Review, 4/22 to 4/28
For Your Viewing Pleasure: A Subtle Shimmer
Week in Review, 4/15 to 4/21
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SB Week in Review
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Seventeen
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Streaming to Be Heard: K-pop on Internet Radio
ZE:A Has a Song for All the Beautiful Ladies
SB Exchange #31: The Youngest of Them All
5 Things I LOVED in K-pop: 12/3 – 12/9
Lee Seung-gi’s “Return” Is An Understated Bang
Worry for the Right Reasons: K-pop and Kohaku
SB Comments of the Week (12/2-12/8)
Shin Hye-sung’s Melancholic “Winter Poetry”
SNSD’s New Japanese Release is a Good Portent
Natthew and Diversity in K-pop
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