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Editors' Picks
The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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Izna’s “N/a” is an Easy, Breezy Debut
The SB Mixtape, 11/28/2024: Sparkling, Softly
“Happy” Reflects the Best of Jin’s Voice and Values
The SB Mixtape, 11/14/2024: Surprises
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A Virtuous Business: Friendships and Breaking Taboos
KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
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Taemin
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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Seoulbeats Segments
The SB Mixtape, 11/28/2024: Sparkling, Softly
For Your Viewing Pleasure: Love for the Blues
Week in Review, 11/18 to 11/24
For Your Viewing Pleasure: Cool Blue Dawn
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The SB Mixtape 6/6/14: Bedroom Beats
ZE:A’s “First Homme” is a Step in the Right Direction
U-Kiss Take Nasty to a New Level in “Don’t Flirt”
Going Back to the 1950s with The Barberettes
The Top Composers of 2014 So Far
15&’s “Sugar” Sparkles with Sass
Taeyang Offers Emotional Depth with “RISE”
The Lightness of “B.A.P Unplugged 2014”
Adventures in Space: Lala Band’s “Flight to the Moon”
P-Type Pays Homage to Legends in “Timberland 6”
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