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Editors' Picks
The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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Izna’s “N/a” is an Easy, Breezy Debut
The SB Mixtape, 11/28/2024: Sparkling, Softly
“Happy” Reflects the Best of Jin’s Voice and Values
The SB Mixtape, 11/14/2024: Surprises
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SB Mixtape
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A Virtuous Business: Friendships and Breaking Taboos
KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
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Taemin
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Zico
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Film
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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Twice
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Seoulbeats Segments
The SB Mixtape, 11/28/2024: Sparkling, Softly
For Your Viewing Pleasure: Love for the Blues
Week in Review, 11/18 to 11/24
For Your Viewing Pleasure: Cool Blue Dawn
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For Your Viewing Pleasure (FYVP)
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K-pop Indie Gem: Moonmoon
KARD Pays Homage to Their Day One Fans in “Hola Hola”
Psy’s “Love” is Uncharacteristic, But Not Bad
Best of Weekly Music Shows: 7/11 – 7/16
Zico’s “Television” Offers Us a Look Behind the Screen
SB Mid-Year Review, 2017: A Wide Variety of Comebacks
SB Mid-Year Review, 2017: The Crossover Potential of K-Indie
Have a Rad Summer with Red Velvet’s “The Red Summer”
Zico Answers What Art Means to Him in “Artist”
Zico Addresses Haters with “ANTI”
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