Aug 4

All Hail “The Great Seungri”

"Is Gatsby great?" For those unaware, beyond the themes and metaphors of the Amer…

Jul 19

Crush’s “Wonderlost” Is …

Halfway through writing a draft of this review, I hit a roadblock: I struggled findi…

Jun 5

South Club Goes South on “20”

To the surprise of his fans, Cleveland rapper Kid Cudi decided in 2015 that he would…

Apr 26

Restraint is Seductive but Double-Edged in “Eau De Vixx”

In a past review of Shangri-La, I mentioned a desire to see Vixx extend their comeba…

Apr 9

Winner’s “Everyd4y” is Polished, Yet Pedestrian

Since Nam Tae-hyun made his exit from the idol life, YG Entertainment had wasted no …

Mar 18

NCT 2018’s “Empathy” is Not My Cup of Tea

Like many, I was rather lost when NCT was announced by SM Entertainment in a keynote…

Feb 4

iKon Plays it Safe for Their “Return”

Having spent the majority of their promotion time overseas, and with only 1 full alb…

Dec 6

Zion.T’s “Snow” is Wonderfully Sentimental

Whilst writing up the mid-year reviews, I had wondered why my fellow panelists didn'…

Nov 14

Super Junior’s “Play” Is Senseless Funk at its Best

It would be a bit of an understatement to say Super Junior has had it rough in the m…

Oct 22

We “Deserve” More From Kris And Travis Scott

Kris Wu has been busy. Since filing for contract termination with SM Entertainment a…