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SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
Join the Seoulbeats Writing Team!
“Supernova” is Campy, Chaotic, and Peak Aespa
Unsung Artists: February 2024
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SB Mid-Year Review, 2024: Experimentation and Storytelling Stand Out in Albums
Dreamcatcher’s “Justice” Struggles with A Cohesive Topic
Red Velvet Play It Safe in “Cosmic”
Jaejoong’s “Flower Garden” Never Quite Reaches Great
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The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
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Park Min-young
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Lee Dong-wook
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Kwon Nara
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Kim Hye-jun
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Film
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Culture
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Seoulbeats Segments
For Your Viewing Pleasure: Sunshine & Rainbows
SB Mid-Year Review, 2024: Bold Imagery is the Name of the (Female-Dominated) MV Game
For Your Viewing Pleasure: Chaos in Colour
Week in Review, 7/8 to 7/14
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Author Archive
Qian
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Author:
Qian
Jul
21
Baekhyun’s “City Lights” Is Adequate at Best
Apr
13
Black Pink Frustrates with “Kill This Love”
Dec
3
Mino’s “XX” is a Raunchy Masterpiece
Sep
26
HAON Impresses With “Travel: Noah”
Aug
4
All Hail “The Great Seungri”
Jul
19
Crush’s “Wonderlost” Is …
Jun
5
South Club Goes South on “20”
Apr
26
Restraint is Seductive but Double-Edged in “Eau De Vixx”
Apr
9
Winner’s “Everyd4y” is Polished, Yet Pedestrian
Mar
18
NCT 2018’s “Empathy” is Not My Cup of Tea
1
2
3
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