Apr 26

Restraint is Seductive but Double-Edged in “Eau De Vixx”

In a past review of Shangri-La, I mentioned a desire to see Vixx extend their comeba…

Apr 9

Winner’s “Everyd4y” is Polished, Yet Pedestrian

Since Nam Tae-hyun made his exit from the idol life, YG Entertainment had wasted no …

Mar 18

NCT 2018’s “Empathy” is Not My Cup of Tea

Like many, I was rather lost when NCT was announced by SM Entertainment in a keynote…

Feb 4

iKon Plays it Safe for Their “Return”

Having spent the majority of their promotion time overseas, and with only 1 full alb…

Dec 6

Zion.T’s “Snow” is Wonderfully Sentimental

Whilst writing up the mid-year reviews, I had wondered why my fellow panelists didn'…

Nov 14

Super Junior’s “Play” Is Senseless Funk at its Best

It would be a bit of an understatement to say Super Junior has had it rough in the m…

Oct 22

We “Deserve” More From Kris And Travis Scott

Kris Wu has been busy. Since filing for contract termination with SM Entertainment a…

Sep 12

MBC-KBS Media Strike: Once More, With Feeling

Fans of Infinite Challenge and I Live Alone came to a nasty shock when it was announ…

Aug 28

Jackson’s “Papillon” is Uninspired, Unexciting, and Unnecessary

Back in June, JYP Entertainment announced that Got7's Jackson would have his own ind…

Aug 7

Samuel’s “Sixteen” is Spectacularly Insipid

  At 16 years of age, Kim Samuel has been through quite a lot. He started as…