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The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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“Happy” Reflects the Best of Jin’s Voice and Values
The SB Mixtape, 11/14/2024: Surprises
G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
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A Virtuous Business: Friendships and Breaking Taboos
KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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Seoulbeats Segments
Week in Review, 11/18 to 11/24
For Your Viewing Pleasure: Cool Blue Dawn
Week in Review, 11/11 to 11/17
The SB Mixtape, 11/14/2024: Surprises
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Tag: MV Review
Mamamoo’s “Egotistic” is a Visual and Aural Mismatch
Gugudan Semina is Bold and Sassy in “Semina”
Holland’s “I’m Not Afraid” Makes a Bold Statement on Representation
Twice’s “Dance the Night Away” is a Fun Summer Release
Melomance Sings of Enjoyment in “The Fairy Tale”
Golden Child’s “Goldenness” Is This Summer’s Guilty Pleasure
Apink Take on a New Sound with “I’m So Sick”
Melody Day’s “Restless” is Meaningful
Elris Lacks Imagination in “Summer Dream”
Shinee Continue Their Story in “Our Page”
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