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Editors' Picks
Nayeon Makes a Spectacularly Simple Solo Debut with “Pop!”
Wonho Misses The Potential to Explore His Duality in “Facade”
Victon Enter a Hazy, Dark Dreamscape in “Stupid O’Clock”
Tomorrow: A Flawed but Compassionate Probe into Human Despair
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Album Review
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Lee Soo-hyuk
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Victon
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Music
Side B: Riding the Highs and Lows with Mamamoo
Pixy are Chic, Bewitched Antiheroes in “Reborn”
Dawn’s “Stupid Cool” is a Love Letter to Hyuna
Wonho Makes a Trippy, Striking Return with “Crazy”
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Album Review
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Mamamoo
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Side B
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Wonho
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Music
Idols
Screen
Our Blues, Ep. 11-20: Heartwarming and Heartbreaking Till the End
Green Mothers’ Club, Ep. 9-16: The Pursuit of Happiness
Tomorrow: A Flawed but Compassionate Probe into Human Despair
Our Blues, Ep. 1-10: Exploring the Bitter Blues of Life
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Shin Min Ah
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Kim Woo-bin
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Cha Seung-won
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Lee Soo-hyuk
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Film
Drama
TV
Culture
Pass the K-popcorn: Predicting 2022
GOT the Beat: A Disastrous Attempt at Girl Power That Instead Exemplifies K-pop’s Misogyny Problem
Home Sweet Home?: Horror and Home in “Squid Game” and K-pop MVs
Youth, Rebellion, and the Pressure of Korea’s Education Fever
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SM Entertainment
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Red Velvet
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BoA
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Taeyeon
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Seoulbeats Segments
Side B: Riding the Highs and Lows with Mamamoo
For Your Viewing Pleasure: Step into the Light
Week in Review, 6/13 to 9/19
The SB Mixtape, 06/16/2022: Summer Breeze
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For Your Viewing Pleasure (FYVP)
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SB Week in Review
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Tag Archive
Tag: Idol
Shift in K-pop Dynamics: Transition From Idols to Artists
“Click, Click”: What’s In A Selca?
Playboy Petrarch: Racial Fetishism and K-pop
Is There Any “Art” Left in K-pop?
Super Junior’s Mandatory Future
Counterpoint: “Idol” or “Artist,” Does the Moniker Really Matter?
Counterpoint: Reasons I’d Want to be a K-Idol
Why I Would Never Want to Be a K-idol
Public Ownership of Entertainers
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