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Editors' Picks
The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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Izna’s “N/a” is an Easy, Breezy Debut
The SB Mixtape, 11/28/2024: Sparkling, Softly
“Happy” Reflects the Best of Jin’s Voice and Values
The SB Mixtape, 11/14/2024: Surprises
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A Virtuous Business: Friendships and Breaking Taboos
KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
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Taemin
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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Seoulbeats Segments
The SB Mixtape, 11/28/2024: Sparkling, Softly
For Your Viewing Pleasure: Love for the Blues
Week in Review, 11/18 to 11/24
For Your Viewing Pleasure: Cool Blue Dawn
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Music
SNSD’s “All Night” is Everything that “Holiday” Should Have Been
Best of Weekly Music Shows: 8/1 – 8/6
Samuel Paints an Image of Adolescent Idyll in “Sixteen”
She Was a Stunner: N.Flying’s “The Real”
Winner’s “Our Twenty For”: Pleasant, Refreshing, but Lacks a Punch
Samuel’s “Sixteen” is Spectacularly Insipid
ONF Turns Up the Charm In “On/Off”
Dreamcatcher Are All Flash and No Substance in “Prequel”
JJ Project Finds Their Way with “Verse 2”
Unsung Artists: July 2017
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