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Editors' Picks
The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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Album Review
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BTS
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Red Velvet
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Girls' Generation (SNSD)
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TXT (Tomorrow X Together)
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Music
The SB Mixtape, 11/14/2024: Surprises
G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
The SB Mixtape, 10/31/2024: A Bittersweet Symphony
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MV Review
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Big Bang
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G-Dragon
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SB Mixtape
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Wonder Girls
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Music
Idols
Screen
KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
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Drama Review
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Taemin
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Concert Review
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Zico
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NCT 127
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Film
Drama
TV
Culture
The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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TV/Variety
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Red Velvet
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Girls' Generation (SNSD)
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Twice
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NCT
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Seoulbeats Segments
For Your Viewing Pleasure: Cool Blue Dawn
Week in Review, 11/11 to 11/17
The SB Mixtape, 11/14/2024: Surprises
For Your Viewing Pleasure: Pop, Pop, Pop
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For Your Viewing Pleasure (FYVP)
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Shinee
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SB Week in Review
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BTS
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SB Mixtape
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Featured
Featured
Music and Lyrics: Haters Gonna Hate
K-pop Indie Gem: Owol
Zion.T’s “Snow” is Wonderfully Sentimental
Because This Is My First Life, Episodes 13-16: The Imperfect Art of Satisfaction
Roundtable: K-pop Thanksgiving 2017
KARD’s “You In Me”: Musically Palatable with a Tinge of Necrophilia
Here Come the Cool Girls in Red Velvet’s “Perfect Velvet”
Red Velvet Perfects the Creepy and Cute in “Peek-A-Boo”
Super Junior’s “Play” Is Senseless Funk at its Best
“Chococo” Is A Step Backwards for Gugudan
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