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SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
Join the Seoulbeats Writing Team!
“Supernova” is Campy, Chaotic, and Peak Aespa
Unsung Artists: February 2024
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SB Mid-Year Review, 2024: Experimentation and Storytelling Stand Out in Albums
Dreamcatcher’s “Justice” Struggles with A Cohesive Topic
Red Velvet Play It Safe in “Cosmic”
Jaejoong’s “Flower Garden” Never Quite Reaches Great
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The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
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Kwon Nara
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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For Your Viewing Pleasure: Sunshine & Rainbows
SB Mid-Year Review, 2024: Bold Imagery is the Name of the (Female-Dominated) MV Game
For Your Viewing Pleasure: Chaos in Colour
Week in Review, 7/8 to 7/14
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Author Archive
Gaya
Seoulbeats's resident Choi Minho stan.
Author:
Gaya
May
23
Redsquare’s “Colorfull” Intrigues with Hidden and Missing Members
Feb
23
How a Kadinsky Painting Makes Iz One’s “Fiesta” Shine Bright
Feb
17
Parasite is a Cinematic Masterclass and Perfect Oscar Winner
Jan
26
Dynamic Duo and Chen’s “You” is an Uneven Follow-up to “Nosedive”
Dec
28
CL’s “In The Name of Love” is Refreshing, Cohesive and the Biggest Flex
Jul
26
Epik High Cannot be Contained at Sleepless in Melbourne Concert
Jul
1
Are We Finally Seeing the Fall of Yang Hyun-suk?
May
30
K-pop Throwback: Luna’s “Free Somebody” is the Best of Both Worlds
May
25
Look Back on Shinee’s 11th Anniversary with These 11 Live Performances
Apr
3
“I’m Home” is a Momentous Stop on the Minho Farewell Tour
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