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Unsung Artists: August 2026
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Shinee Solidify Their Legacy with “Atmos”
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The SB Mixtape, 09/17/2026: Scream Queens & Kings
Bite Review: Pentagon’s “Coward” Returns to Classic Songwriting and Storytelling
Taemin’s “Phase 1: Soft Violence” Reveals an Artist in Transition
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More Than a Job: Occupation, Identity, and Female Agency in K-Dramas
The Unscripted Romance: How Humor Derails and Redefines The First Night with the Duke
Good Boy: A Heartfelt Exploration of Growth and Redemption
Beyond Cutesy Romance: Quiet Dramas, Big Impact
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More Than a Job: Occupation, Identity, and Female Agency in K-Dramas
How AI is Effecting K-Pop Fandoms’ Creativity and Content
Navigating South Korea’s “Unwritten” Societal Rules: Lessons from Our Unwritten Seoul
“Ubermensch”: Where G-Dragon’s Reputation Meets The Road
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Seoulbeats Segments
Week in Review, 9/14 to 9/20
The SB Mixtape, 09/17/2026: Scream Queens & Kings
Week in Review, 9/7 to 9/13
Unsung Artists: August 2026
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Cjontai
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Cjontai
Apr
14
EXID Gets Sensual For “Night Rather Than Day”
Apr
11
Best of Weekly Music Shows: 4/3 – 4/9
Mar
26
Rap Monster and Wale Signal a “Change” in East-West Collabs
Mar
14
Best of Weekly Music Shows: 3/6 – 3/12
Feb
24
Twice Jokes Around in “Knock Knock”
Feb
14
Best of Weekly Music Shows: 2/7 – 2/13
Feb
11
Day6 Endure More Heartbreak in “You Were Beautiful”
Feb
1
San E’s “I Am Me” Suffers a Slight Identity Crisis
Jan
28
2NE1’s “Goodbye” Is a Bittersweet Farewell
Jan
16
Best of Weekly Music Shows: 1/9 – 1/15
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