20120116_seoulbeats_dynamic_duoWelcome back to another segment of Seoulbeats Side B!  This week we’re covering Korea’s Hip-hop legends, Dynamic Duo, in light of their return to the music scene with their 7th Album, Lucky Numbers. The moniker of “Hip-hop legends” is not without reason; this is a group with an expansive and noteworthy discography, starting with their first album, Taxi Driver, which came out 2004.

Taxi Driver went on to become the number one Hip-hop album of the year in terms of sales, with the fantastic title track, “Ring My Bell,” a hip-hop remake of the 1979 Anita Ward disco classic. But as great as the song is, we clearly didn’t come to a Side B to hear title tracks, and I would instead like to focus on the sundry of lesser known, but still amazing music within their discography. With a group like Dynamic Duo, musical gems come at about a dime a dozen, and most of the work is in trying to sort through it all. I highly recommend checking out their full discography, because there is no way that I could possibly cover all the highlights here. Instead, I’ll try to hit as many musical styles as I can, as well as my personal favorites.

This first track is the song that comes before “Ring My Bell” in Taxi Driver, “불면증 (feat. Bobby Kim).”

[youtube http://youtu.be/KOaCMyphU3Y]

“불면증,” or “Insomnia,” is certainly a far more laid back song and takes on the mellower (RnB laced) and more melodic end of Hip-hop, a style that you can find in other Korean Hip-hop groups, such as Epik High or Leessang. I might even go as far as to call it my favorite of the album, just because I love its nonchalance. However, despite my assertion to avoid the well-known, “Insomnia” is somewhat of a famous track of theirs and even has a music video. Nevertheless, I couldn’t help but add it in—”Insomnia” really touches the soul.

Superstar (feat. Tiger JK, sean2slow, and dj tukutz)” is another track from Taxi Driverand it’s pretty much the antithesis of “Insomnia,” bold, snappy, and full of life. Despite the vibrance of the song, the song maintains sophistication and finesse. Show-tunes and big-band music have the tendency to be taken to the extremes, becoming loud and abrasive. Dynamic Duo, in contrast, is able to approach the show tune style without becoming overrun by it.

Dynamic Duo’s second album, Double Dynamite, came out a year after Taxi Driver and won them Best Hip-hop album of the year from the Korean Music Awards. This song from the album is “파도 (I Know),” and features Paloalto. 

[youtube https://www.youtube.com/watch?v=VkCSl_kqGzg]

What stands out about this song, more so than the  impeccable fluidity between Gaeko and Choiza, is the fluidity between the verses and the rapping. Though the quality of the rapping could easily allow it to stand on its own, there is a sense of continuity that I see between the singing, the sing-rapping, and the rapping which eases the listener through the various components of the song and creates musical cohesion. It sounds so obvious and simple on paper, but it’s actually quite a rarity (especially when you’re used to hearing idol rapping).

In 2006, Dynamic Duo left EMI Music Korea and moved to their own label, Amoeba Culture. Their first album under Amoeba Culture is their third overall, Enlightened, which came out in 2007. In 2008, the group released a single album, Newways Always GONEand their third album, Last Days.

“Trust Me,” from Last Days

[youtube https://www.youtube.com/watch?v=ZE3Sw5G7qbw]

“Good Love (feat. Kim Bum-soo),” from Last Days

[youtube https://www.youtube.com/watch?v=5HH0FDLLJ3M]

It wasn’t until Band of Dynamic Brothers (lead single: “Guilty“) in 2009,  however, that we begin to really see Dynamic Duo take on a greater variety of musical styles (you can even hear some reggae in “Ugly“), though they don’t abandon their fundamental sound. This album is also their last before leaving for the army.

A standout track in Band of Dynamic Brothers, at least to me, is “끝 (Apoptosis).” The song carries a rock/alternative edge, complements of the tinny guitar and wispy vocals. It’s a powerful song recounting the story of a quasi-suicidal person, lonely and burdened by life, yet not entirely willing to die. The message reflects the song title quite well; a cell which undergoes “apoptosis” does so under coercion, as though it were “hated” by the others around it. The narrator of this song goes through bouts of anger towards the world, feeling hated by everyone and everything, bogged down by a sense inadequacy and hopelessness in fulfilling expectations. Though all those signs point towards a man who desperately wants to die, the ending message is quite the contrary. In fact, when finally facing death, he desperately wants to live, to fight—to survive.

[youtube http://www.youtube.com/watch?v=gKAsAnC-0Kk]

포기에 또 포기 패배에 또 패배 지는 일에 너무 익숙해진 것 같아 무너지는
resignition after resignition, defeat after defeat, I am too used to lose, breaking down
각오 계속되는 낙오 오…모두에게 나는 짐인 것 같아 청춘은 계속 달아나
preparations falling behind continiously oh… seems I am a burden to everyone, the youth always escapes
나를 버리고 두려움은 계속 자라가 나이를 먹이로 창을 열어도 속이 답답해
my fear that you will throw me away grows, even when I open the window getting older, I feel heavy inside
공기조차 나를 미워하는 것 같아 실패한 사랑에 날카로운 파편은 폐에 박혀
even the air seems to hate me, at the failed love the sharp splinters stick in my lungs


정신이 번쩍 들고 몸이 소스라 쳤어 갈증은 심해졌고 허린 구부러졌어
wake up with a flash and the body is scared, the thirst got worse and I bend my hip
살아야겠다는 희미했던 의지가 다시 너울성 파도처럼 거세게 몰아치면서
the will to live on that was vague, it is wildly cought up again like a wave of the heaving sea
생과 사 사이에 저울질 군형은 깨졌어. 숨을 퍼붓지 악착같은 생의 의지는
between life and death, the weighting force woke up. showering breath, the tough will of life
아니더라도 숨을 거두기는 싫어 다시 살고 싶어
even if it’s not, I hate to die, I want to live again

For contrast, here’s “Sauna (feat. E-Sans of Supreme Team),” from the same album. It sounds nothing like “Apoptosis,” and the lyrical content isn’t the most…insightful. Let’s say it’s about having a good time.

[youtube http://www.youtube.com/watch?v=Tqfi5ZR3soU]

Dynamic Duo’s last album, Digilog 1 & 2,  is a two part album (something we’ve seen a lot lately) that tries to separate what could be a deluxe album into two distinct sections. The first half takes the brighter electronic route (the “Digitial” of “Digilog”) while the second takes the darker acoustic route (“Analog” in “Digilog”).

“Girl” from Digilog 1/2

[youtube https://www.youtube.com/watch?v=piMCys03z2Q]

“Girl” is a jazzy number that has a gorgeous chorus and guitar line. It has all the elements of a feel good song, a meandering beat, trumpets (this is a must, of course), and a lighthearted instrumental loop. I especially like the syncopation in the rap against the instrumental. It gives an added air of effortlessness, maybe even placidity.

“In Line Of Fire (feat. Mad Soul Child),” from Digilog 1/2

[youtube https://www.youtube.com/watch?v=QnQ_G4AOOgs]

This song is up against “Insomnia” and “Apoptosis” for my favorite Dynamic Duo song, and rightfully so. This song is  beautiful, and is actually my first Dynamic Duo song. In retrospect, this sound isn’t the most representative of Dynamic Duo’s music; distorted, electronically embellished vocals complementing their rapping isn’t really the musical mark of the duo. It is, however, similar to the musical style of “Apoptosis,” so if you’re a fan of that song, you’ll likely be a fan of this one.

“Without You,” from Digilog 2/2

[youtube https://www.youtube.com/watch?v=91tUkX9H7gw]

I started with an RnB number, I might as well end with one. “Without You” is not all that noteworthy of a song, though I appreciate it for its simplicity. It’s the kind of track that suits the overarching feel of Dynamic Duo — good music that doesn’t think too highly of itself.

If anything, this list of Side Bs have shown that there’s a Dynamic Duo song for every mood, be it a good one or a bad one. Hopefully I’ve done justice to Dynamic Duo’s discography via this Side B and that this inspires you to take a stab at their music if you aren’t a fan already. At least for me, going through the group’s evolution via their various albums only makes me more excited for Lucky Numbers and seeing how much they’ve grown since Digilog 1 & 2. Good thing we don’t have to twiddle our thumbs for much longer.

(Lyrics: lyricalmovement, YouTube [1][2][3][4][5][6][7][8], Amoeba Culture)