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All Fetish and No Subversion in Momoland’s “Wrap Me in Plastic”
How K-Pop Became the Perfect Comfort Soundtrack Amid the Pandemic
Roundtable: Favorite Articles of 2020
Interview: The Future is Bright for MCND
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Unsung Artists: February 2021
The SB Mixtape, 03/04/2021: Jazz Influenced
Side B: A Day with Ateez
Wonho Battles Toxic Relationships in “Lose”
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Love Scene Number is all Drama with No Love
A Love So Beautiful: More Fluff Than Beauty
Lovestruck in the City: An Imperfect but Joyous Celebration of Love
Mr. Queen: Funny at Face Value
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How K-Pop Became the Perfect Comfort Soundtrack Amid the Pandemic
K-pop and its Evolving Relationship with English
The Evolution of Fandom Platforms
BTS’ Grammy Nomination: How Important is it? And What Does it Mean for the Future of K-pop?
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Seoulbeats Segments
Unsung Artists: February 2021
The SB Mixtape, 03/04/2021: Jazz Influenced
Side B: A Day with Ateez
For Your Viewing Pleasure: In Motion
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Tag: Uhm Jung Hwa
Uhm Jung-hwa’s “Ending Credit” is Not Yet The End
History of K-pop, 1996: The Creation of Idols
Best of Weekly Music Shows: 1/2- 1/8
SBS Gayo Daejeon 2016: A Promising Lineup Doesn’t Fully Deliver
SB Mixtape – I Love the ’90s!
Witch’s Romance Episodes 13-16: Flirty and Fun
Witch’s Romance, Episodes 9-12: The Rise and Fall of Noh Shi-hoon
Witch’s Romance Episodes 5-8, Or How To Be A Real Man
Witch’s Romance, episodes 1-4: Absolutely Enchanting
Marriage is a Crazy, Emotional Thing
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