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Editors' Picks
The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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“Happy” Reflects the Best of Jin’s Voice and Values
The SB Mixtape, 11/14/2024: Surprises
G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
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A Virtuous Business: Friendships and Breaking Taboos
KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
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Taemin
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NCT 127
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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Seoulbeats Segments
Week in Review, 11/18 to 11/24
For Your Viewing Pleasure: Cool Blue Dawn
Week in Review, 11/11 to 11/17
The SB Mixtape, 11/14/2024: Surprises
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Tag: MV Review
No More Mr Nice Guy: Eric Nam Is Tired of Love In “Honestly”
Exo-CBX Exude Floral Decadence in “Blooming Day”
Twice’s “What Is Love?” Fails to Impress
Winner Take On Trap Music With “Everyday”
Stray Kids Find Their Place in “District 9”
Pentagon Offer a Trippy New Take on First Crushes with “Shine”
Jung Joon-young Explores Selfish Love in “Fiancée”
Monsta X Melds Visual Spectacle with a Tantalising Narrative in “Jealousy”
Wanna One Can Do Better Than “Boomerang”
Mamamoo’s “Starry Night” is Lackluster
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