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The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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“Happy” Reflects the Best of Jin’s Voice and Values
The SB Mixtape, 11/14/2024: Surprises
G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
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A Virtuous Business: Friendships and Breaking Taboos
KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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Week in Review, 11/18 to 11/24
For Your Viewing Pleasure: Cool Blue Dawn
Week in Review, 11/11 to 11/17
The SB Mixtape, 11/14/2024: Surprises
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Tag: MV Review
Mamamoo’s Moonbyul is a “Selfish” Stunner in Solo Debut
Where Art Meets Life: BTS Establish Their Identity with “Fake Love”
Yong Junhyung Serves a Bittersweet Slice of Reality in “Go Away”
Dreamcatcher Enchants In “You And I”
Berry Good Heart Heart Makes Charming Debut with “Crazy, Going Crazy”
Snuper’s “Tulip” is Trendy but Empty
Ha:tfelt is Sensual in “Pluhmm”
The Rose Continues to Impress with “Baby”
Vixx’s Subtle Obsession in “Scentist”
“Lo Siento” Is a Fiery Collaboration Between Super Junior and Leslie Grace
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