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SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
Join the Seoulbeats Writing Team!
“Supernova” is Campy, Chaotic, and Peak Aespa
Unsung Artists: February 2024
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SB Mid-Year Review, 2024: Experimentation and Storytelling Stand Out in Albums
Dreamcatcher’s “Justice” Struggles with A Cohesive Topic
Red Velvet Play It Safe in “Cosmic”
Jaejoong’s “Flower Garden” Never Quite Reaches Great
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The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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For Your Viewing Pleasure: Sunshine & Rainbows
SB Mid-Year Review, 2024: Bold Imagery is the Name of the (Female-Dominated) MV Game
For Your Viewing Pleasure: Chaos in Colour
Week in Review, 7/8 to 7/14
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Tag: MV Review
“Blue” is a Glimpse into V’s Melancholic, yet Cinematic Daydreams
Young K’s “Nothing But”: Of Love, Regret, and Anger
Riize Make an Anticlimactic Debut with “Get a Guitar”
The Rose’s “You’re Beautiful” Shows Their Duality
Yerin Dazzles in Nostalgic Love with Retro Earworm “Bambambam”
StayC’s “Bubble” is an Unapologetic Pop of Whimsy and Confidence
The Rose Prove that Rock Is Not Dead with “Back to Me” and “Alive”
Shownu and Hyungwon Keep it Simple with “Love Me a Little”
NCT Dream’s “ISTJ” is Anything But Reserved
Jungkook Is Mischievous With His Sex Appeal in “Seven”
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