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Unsung Artists: February 2024
Unsung Artists: January 2024
My Demon: Choices and Consequences
The Cross-Genre Experiment Fails in Gyeongseong Creature Ep 8-10
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The SB Mixtape, 04/18/2024: Love is Elemental
J-Hope Returns to His Dance Roots to Resolve His Doubts with “Hope on the Street Vol. 1”
NCT Dream Go for Grown-up on “Dream()scape”
The SB Mixtape, 4/4/2024: A Shot of Energy
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Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
The Cross-Genre Experiment Fails in Gyeongseong Creature Ep 8-10
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Park Min-young
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Park Seo-joon
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Lee Dong-wook
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Seoulbeats Segments
The SB Mixtape, 04/18/2024: Love is Elemental
For Your Viewing Pleasure: Sunshine & Midnights
Week in Review, 4/8 to 4/14
The SB Mixtape, 4/4/2024: A Shot of Energy
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Tag Archive
Tag: MV Review
Kang Daniel Plays the Solitary Hero in Cinematic “SOS”
Ateez Show Off a Joyful Pastiche of 4th Gen Masculinity in “Bouncy (K-Hot Chilli Peppers)”
“Icky” Sees Kard Dive Into The Surreal
Despite Bold Choices, Enhypen’s “Bite Me” is Half-Baked
Mijoo Leans Into Introspection in “Movie Star”
(G)I-dle Tackle Self-image Issues in Y2K Inspired “Allergy” MV
Perception is Reality in Max Changmin and Ha Hyunwoo’s “Hybrid”
Le Sserafim Can’t Step Away From the Formula in “Unforgiven”
Seventeen’s “Super” Reimagines Cultural References with Grandiose Simplicity
NCT DoJaeJung’s “Perfume” Lingers as a Perfect Scent
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