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SB Mid-Year Review, 2022: An Abundance of Charismatic Debuts
Nayeon Makes a Spectacularly Simple Solo Debut with “Pop!”
Wonho Misses The Potential to Explore His Duality in “Facade”
Victon Enter a Hazy, Dark Dreamscape in “Stupid O’Clock”
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SB Mid-Year Review, 2022: An Abundance of Charismatic Debuts
Side B: Riding the Highs and Lows with Mamamoo
Pixy are Chic, Bewitched Antiheroes in “Reborn”
Dawn’s “Stupid Cool” is a Love Letter to Hyuna
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Idols
Screen
Our Blues, Ep. 11-20: Heartwarming and Heartbreaking Till the End
Green Mothers’ Club, Ep. 9-16: The Pursuit of Happiness
Tomorrow: A Flawed but Compassionate Probe into Human Despair
Our Blues, Ep. 1-10: Exploring the Bitter Blues of Life
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Shin Min Ah
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Kim Woo-bin
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Cha Seung-won
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Lee Soo-hyuk
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Drama
TV
Culture
Pass the K-popcorn: Predicting 2022
GOT the Beat: A Disastrous Attempt at Girl Power That Instead Exemplifies K-pop’s Misogyny Problem
Home Sweet Home?: Horror and Home in “Squid Game” and K-pop MVs
Youth, Rebellion, and the Pressure of Korea’s Education Fever
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SM Entertainment
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Red Velvet
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Taeyeon
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Seoulbeats Segments
SB Mid-Year Review, 2022: An Abundance of Charismatic Debuts
Week in Review, 6/20 to 6/26
Side B: Riding the Highs and Lows with Mamamoo
For Your Viewing Pleasure: Step into the Light
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For Your Viewing Pleasure: Comfort of Earthy Tones
Miss Hammurabi, Ep. 10-16: A Hasty End to a Thought-Provoking Journey
Miss Hammurabi, Ep. 1-9: Comedic, Nuanced, Intellectually Engaging
All Eyes on the Face: The K-pop Visual
For Your Viewing Pleasure: Playing the Forehead Game
Artists in the Idolsphere
Spring Pyjamas Outing with Infinite F’s “Heartbeat”
Infinite F to Make Korean Debut
Infinite F: Is The Whole Greater Than The Sum of Parts?
For Your Viewing Pleasure: Peeping Toes
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