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The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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The SB Mixtape, 11/14/2024: Surprises
G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
The SB Mixtape, 10/31/2024: A Bittersweet Symphony
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KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
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Taemin
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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Seoulbeats Segments
For Your Viewing Pleasure: Cool Blue Dawn
Week in Review, 11/11 to 11/17
The SB Mixtape, 11/14/2024: Surprises
For Your Viewing Pleasure: Pop, Pop, Pop
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Tag: Gary
The SB Mixtape, 04/21/2022: Contrast is King
History of K-pop: 2015, Old Faces Return, and New Faces Make History
History of K-pop: 2005, The year of the soloists, Epik High, and the Second Generation
AOA Choa’s “Flame” Fails to Fire Up Fans
From “2002” to the Present, Gary Continues to Impress
Music & Lyrics: Soju Will Set You Free
Take a Weekend Ride on Jung-in and Gary’s “Bicycle”
Monday, Tuesday, Everyday: Being Part of the Monday Couple
Member Changes in Variety: Can They Recover?
The Person by Haha’s Side
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