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The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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TXT (Tomorrow X Together)
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The SB Mixtape, 11/14/2024: Surprises
G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
The SB Mixtape, 10/31/2024: A Bittersweet Symphony
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Big Bang
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KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
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Taemin
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Concert Review
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Zico
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NCT 127
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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Girls' Generation (SNSD)
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Twice
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Seoulbeats Segments
For Your Viewing Pleasure: Cool Blue Dawn
Week in Review, 11/11 to 11/17
The SB Mixtape, 11/14/2024: Surprises
For Your Viewing Pleasure: Pop, Pop, Pop
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For Your Viewing Pleasure (FYVP)
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Shinee
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SB Week in Review
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The Best of 5 Things 2: K-pop Edition
KCON 2012: A Lesson Learned?
F.T. Island Lets You Inside Their Five Treasure Box
After Slight Debacle, T-ara Returns with “Sexy Love”
A Drive Through Seoul with “My Dear Enemy”
Lost In Translation: XIA’s “Uncommitted” MV
What Music Will You Listen to? 2012 Midyear Album/Mini-Album Review
Everybody Dance Now: Dance MVs
SB Comments of the Week (6/17-6/23)
A Series of Unfortunate Events, Dalmatian Edition
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