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SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
Join the Seoulbeats Writing Team!
“Supernova” is Campy, Chaotic, and Peak Aespa
Unsung Artists: February 2024
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SB Mid-Year Review, 2024: Experimentation and Storytelling Stand Out in Albums
Dreamcatcher’s “Justice” Struggles with A Cohesive Topic
Red Velvet Play It Safe in “Cosmic”
Jaejoong’s “Flower Garden” Never Quite Reaches Great
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The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
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Park Min-young
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Lee Dong-wook
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Kwon Nara
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Kim Hye-jun
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Twice
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Seoulbeats Segments
For Your Viewing Pleasure: Sunshine & Rainbows
SB Mid-Year Review, 2024: Bold Imagery is the Name of the (Female-Dominated) MV Game
For Your Viewing Pleasure: Chaos in Colour
Week in Review, 7/8 to 7/14
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Author Archive
Nicole
Author:
Nicole
Jul
22
Ailee & 2LSON’s “I’m in Love”
Jul
9
Younha Remakes “Umbrella”
Jun
24
YG and Album Releases: Worth the Wait?
Jun
19
K-pop and the Tribute Act: Is Imitation Really the Sincerest Form of Flattery?
Jun
17
MV Review: Davichi’s “Again”
Jun
12
‘Roommate’ and the Ensemble Cast
Jun
7
Going Back to the 1950s with The Barberettes
May
20
Seo In-Guk Brings on the Whimsy in “Bomtanaba”
May
16
What’s in a (Fanclub) Name?
May
11
Making Statements with Military Fashion
1
2
3
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