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Black Knight: Netflix’s Latest Dystopia Signals the End of Original Apocalypses
Unsung Artists: March – April 2023
Seventeen’s “Super” Reimagines Cultural References with Grandiose Simplicity
NCT DoJaeJung’s “Perfume” Lingers as a Perfect Scent
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Music
SM Needs to Regain Trust to Achieve 3.0 Plan
tripleS +(KR)ystal Eyes Reimagine ’90s Pop in “Aesthetic”
“Icky” Sees Kard Dive Into The Surreal
The Wind are a Breath of Fresh Air in “Beginning: The Wind Page”
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Album Review
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Black Knight: Netflix’s Latest Dystopia Signals the End of Original Apocalypses
The Heavenly Idol: A Bewildering Story with No Sense of Time
Crash Course in Romance: Lessons on Chemistry and Charming Characters
The Interest of Love: Lack of Direction Leads Premise Astray
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Kim Woo-bin
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Yoo Yeon-seok
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Jung Kyung Ho
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Moon Ga-young
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Film
Drama
TV
Culture
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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TV/Variety
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Twice
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NCT
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Dreamcatcher
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Seoulbeats Segments
Beats of the Month: Blackswan, Seventeen’s Variety Charms, and the Slippery Slope of Idols as Influencers
For Your Viewing Pleasure: Portrait Mode
Week in Review, 5/22 to 5/28
For Your Viewing Pleasure: Grunge Glamour
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SNSD Hits The Stands
September 4, 2010
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