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SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
Join the Seoulbeats Writing Team!
“Supernova” is Campy, Chaotic, and Peak Aespa
Unsung Artists: February 2024
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SB Mid-Year Review, 2024: Experimentation and Storytelling Stand Out in Albums
Dreamcatcher’s “Justice” Struggles with A Cohesive Topic
Red Velvet Play It Safe in “Cosmic”
Jaejoong’s “Flower Garden” Never Quite Reaches Great
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The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
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Park Min-young
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Lee Dong-wook
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Kwon Nara
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Kim Hye-jun
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Film
Drama
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Culture
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Twice
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NCT
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Seoulbeats Segments
For Your Viewing Pleasure: Sunshine & Rainbows
SB Mid-Year Review, 2024: Bold Imagery is the Name of the (Female-Dominated) MV Game
For Your Viewing Pleasure: Chaos in Colour
Week in Review, 7/8 to 7/14
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Tag Archive
Tag: Tablo
Beats of the Month: Suga’s Suchwita, Boys Planet, and the Politics of Brand Ambassadorships
Epik High Cannot be Contained at Sleepless in Melbourne Concert
Lee Sora’s “Song Request” Goes Through the Stages of Grief
The SB Mixtape, 12/7/18: Forgotten Goodies
For Your Viewing Pleasure: All Jacked Up
Lee Hi Defines Urbanite With “Seoulite”
History of K-pop: 2015, Old Faces Return, and New Faces Make History
History of K-pop: 2005, The year of the soloists, Epik High, and the Second Generation
For Your Viewing Pleasure: CF Spectacular
To Epik High with Aloha
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