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Editors' Picks
Purple Kiss Question Stereotypes in “Geekyland”
Beats of the Month: Summery Joy from Nayeon & WJSN, and TXT in Concert
Roundtable: K-pop Meets Dramas
SB Mid-Year Review, 2022: Alternative Dance Styles Catch the Eye
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Music
Xdinary Heroes’ “Strawberry Cake”: Lacklustre MV for Promising Track
The SB Mixtape, 8/11/2022: Groovy, Baby
Tri.be Showcase the Downside of Trends in “Kiss”
DPR Ian’s “Moodswings In To Order” Has Great Concepts, But A Few Shortcomings
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Album Review
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Wonder Girls
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Music
Idols
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Yumi’s Cells 2: A Journey of Love and Growth
Link: Eat, Love, Kill Has Too Much on its Plate
Why Her?, Ep. 9-16: A Rough Road to Redemption
The Merits of Flawed Main Characters in Comforting K-Dramas
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Jinyoung
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Ji chang-wook
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Kim Ji Won
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Kim Go-eun
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Pandemic Blues: The Struggle of Small Companies and Idol Groups
Pass the K-popcorn: Predicting 2022
GOT the Beat: A Disastrous Attempt at Girl Power That Instead Exemplifies K-pop’s Misogyny Problem
Home Sweet Home?: Horror and Home in “Squid Game” and K-pop MVs
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SM Entertainment
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Red Velvet
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BoA
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Taeyeon
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Seoulbeats Segments
The SB Mixtape, 8/11/2022: Groovy, Baby
For Your Viewing Pleasure: Charm with Contrast
Week in Review, 8/1 to 8/7
Unsung Artists: July 2022
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For Your Viewing Pleasure (FYVP)
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Tag: SM Entertainment
GOT the Beat: A Disastrous Attempt at Girl Power That Instead Exemplifies K-pop’s Misogyny Problem
SMTown Live Culture Humanity: A Polished and Packed Virtual Concert
SM Station: Four Years Later
Let the Fight Begin: Interactive Media in Exo’s “Obsession” Comeback Promotion
In Defense of Noise: SM Future Sound and Red Velvet
Super M is Painting K-pop in a Whole New Light
Has NCT’s Concept Been Effective?
SM’s Treatment of Non-Korean Artists
U-Know Yunho Returns on a Grimy Beat “Drop”
The Staying Power of SNSD
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