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“Supernova” is Campy, Chaotic, and Peak Aespa
Unsung Artists: February 2024
Unsung Artists: January 2024
My Demon: Choices and Consequences
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Hyuna’s Vocals Take Center Stage with “Q&A”
Seventeen Cleverly and Confidently Assert Their Artistry in “Maestro”
Onewe Know Their Niche in “Planet Nine: Isotropy”
Bite Review: Zico and Jennie are Effortlessly Hip in “Spot!”
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Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
The Cross-Genre Experiment Fails in Gyeongseong Creature Ep 8-10
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Park Min-young
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Park Seo-joon
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Lee Dong-wook
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Twice
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Seoulbeats Segments
For Your Viewing Pleasure: Understated Elegance
Week in Review, 5/6 to 5/12
For Your Viewing Pleasure: A Splash of Sentiment
Week in Review, 4/29 to 5/5
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BoA’s “Better” is Almost the Best
I-Land Ep. 7-12: Big Hit’s New Group Enhypen Debuts to Fanfare
Irene & Seulgi are a Powerful “Monster” Duo for their Unit Debut
SB Mid-Year Review, 2020: Reality Show Survivors Stand Out in Debuts
The Best and Worst of Road to Kingdom Summarised
A Good Day to Re-debut: Whether Idols Trying Again Works or Not
SB End-of-Year Review, 2019: Surprising Debuts from Smaller Companies
K-pop Throwback: Seventeen’s “Adore U” is a Brilliant Debut
Baekhyun’s “City Lights” Is Adequate at Best
Produce X 101 Ep. 8-10: Already-Debuted Trainees Stand Out Amidst Intense Competition
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