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“Ubermensch”: Where G-Dragon’s Reputation Meets The Road
Zerobaseone Redefine the Colour Blue in “Blue”
Squid Game 2: More Comedy and Caution as Netflix’s Golden Goose Returns
Small Details Shine in “Family By Choice”
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Music
Jennie’s “Ruby”: A Bold, Self-reckoning Debut
SB Mixtape, 4/4/2025: The Fighting Spirit
“Fe304: Forward” is NMixx’s Best and Most Experimental Work Yet
In “Hot,” Le Sserafim are in Love (and as Cool as Ever)
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2NE1
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BTS
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Music
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When the Stars Gossip: A Disastrous Love Story Lost in Space
Small Details Shine in “Family By Choice”
The Trunk Unpacks Trauma and the Path to Healing
A Virtuous Business: Friendships and Breaking Taboos
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Lee Min Ho
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Gong Yoo
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Seo Hyun-jin
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Jung Chae-yeon
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Film
Drama
TV
Culture
“Ubermensch”: Where G-Dragon’s Reputation Meets The Road
The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
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TV/Variety
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Red Velvet
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Seoulbeats Segments
Week in Review, 3/31 to 4/6
SB Mixtape, 4/4/2025: The Fighting Spirit
Beats of the Month: K-pop Ups and Downs with NMixx, NCT Wish, Seulgi, & Ten
Week in Review, 3/24 to 3/30
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SB Week in Review
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Home
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TV
The Reality Singing Show Halftime Report
WGM Season 4, WGM Like Never Before
A Closer Look at Hello Baby
How First Impressions Ruined Invincible Youth 2
Are Designated Variety Idols Counterproductive?
SB Spotlight: Kang Ho-dong, Pretty Good MC for a Ssireum Champ
Variety As a Source of Controversy: What Gives?
B.A.P, Yes Sir: The Killing Camp Edition
Are Lost Foreigners a Lost Case in Variety?
We Got Married Season 4: Through the Context of Julien Kang
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