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“Ubermensch”: Where G-Dragon’s Reputation Meets The Road
Zerobaseone Redefine the Colour Blue in “Blue”
Squid Game 2: More Comedy and Caution as Netflix’s Golden Goose Returns
Small Details Shine in “Family By Choice”
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Music
“Ubermensch”: Where G-Dragon’s Reputation Meets The Road
Unsung Artists: February 2025
Bite Review: Suzy’s Musical Evolution Shines in “Come Back”
Chungha Skewers Commodified Relaxation In “Stress”
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When the Stars Gossip: A Disastrous Love Story Lost in Space
Small Details Shine in “Family By Choice”
The Trunk Unpacks Trauma and the Path to Healing
A Virtuous Business: Friendships and Breaking Taboos
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Lee Min Ho
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Gong Yoo
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Seo Hyun-jin
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“Ubermensch”: Where G-Dragon’s Reputation Meets The Road
The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
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Seoulbeats Segments
Beats of the Month: Taemin in LA & Jennie’s “Ruby”
For Your Viewing Pleasure: Textured Tailoring
Week in Review, 3/3 to 3/9
Unsung Artists: February 2025
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For Your Viewing Pleasure (FYVP)
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Home
Op-Ed
Op-Ed
Rain’s Reception at KCon is Complicated Like His Legacy
The Netflix K-drama Formula: How the Global Platform is Helping Redefine the Genre
The Renaissance of the Second Generation
A Closer Look: the Korean R&B Scene and the Rise of Baekhyun & Kai’s K-pop R&B
Reflections of a K-pop Fan in Early 2010s London
In Defense of Noise: SM Future Sound and Red Velvet
For Your Consideration: Are the MTV VMAs Catering to K-pop?
Naver’s News Manipulation: Compromising K-pop’s International Fanbase?
Jang Jaein’s Exposure of Nam Taehyun: Justified by Public Interest or Inherently Private?
Kang Sung-hoon’s Controversies Find Their Roots in Lookism
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