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SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
Join the Seoulbeats Writing Team!
“Supernova” is Campy, Chaotic, and Peak Aespa
Unsung Artists: February 2024
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SB Mid-Year Review, 2024: Experimentation and Storytelling Stand Out in Albums
Dreamcatcher’s “Justice” Struggles with A Cohesive Topic
Red Velvet Play It Safe in “Cosmic”
Jaejoong’s “Flower Garden” Never Quite Reaches Great
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The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
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Park Min-young
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Lee Dong-wook
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Kwon Nara
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Culture
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Seoulbeats Segments
For Your Viewing Pleasure: Sunshine & Rainbows
SB Mid-Year Review, 2024: Bold Imagery is the Name of the (Female-Dominated) MV Game
For Your Viewing Pleasure: Chaos in Colour
Week in Review, 7/8 to 7/14
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Author Archive
Sophie
Author:
Sophie
Mar
31
Twice’s “Ready To Be” is a Playfully Profound Call for Liberation
Mar
3
Tri.be Reminds us that Age is a State of Mind in “We Are Young”
Dec
22
Red Velvet Rock the World in “ReVe Festival 2022: Birthday”
Nov
26
Woo!ah!’s “Pit-a-Pat” Takes our Hearts on a Rollercoaster Ride
Nov
20
Jeong Eunji’s “Log”: A Healing Autobiographical Journey Through Song
Nov
5
Unsung Artists: October 2022
Oct
26
Mamamoo’s “Mic On” is a Limitless Parade of Good Vibes
Oct
21
Kwon Eunbi’s “Lethality” Submerges Us in the Unexpected: Delicate yet Deadly
Oct
13
Seulgi’s “28 Reasons” is A Psychological Thriller of an Album
Sep
23
Nobody Like Jaejoong: “Born Gene” is Playfully Profound Pop-Rock
1
2
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