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SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
Join the Seoulbeats Writing Team!
“Supernova” is Campy, Chaotic, and Peak Aespa
Unsung Artists: February 2024
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SB Mid-Year Review, 2024: Experimentation and Storytelling Stand Out in Albums
Dreamcatcher’s “Justice” Struggles with A Cohesive Topic
Red Velvet Play It Safe in “Cosmic”
Jaejoong’s “Flower Garden” Never Quite Reaches Great
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The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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For Your Viewing Pleasure: Sunshine & Rainbows
SB Mid-Year Review, 2024: Bold Imagery is the Name of the (Female-Dominated) MV Game
For Your Viewing Pleasure: Chaos in Colour
Week in Review, 7/8 to 7/14
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Author Archive
Chloe
Author:
Chloe
Nov
23
Chen Makes a Grand Return with Dynamic “Last Scene”
Oct
20
Baekho’s “Absolute Zero”: A Balanced Collection of the Now-Soloist’s Many Strengths
Oct
13
The Rose Color their Story in “Sour”
Oct
5
Xiumin’s “Brand New” is a Dynamic Yet Fittingly Understated Solo Debut
Sep
14
Seventeen Come Full Circle at “Be the Sun” in Newark
Sep
7
“Gasoline” is a Bombastic Extension of Key’s Individuality
Aug
28
Side B: The Boyz’s Boyish Charms
Aug
23
The Boyz Make a Boisterous Bid to Return to their Roots in “Be Aware”
Aug
8
NewJeans’ Debut with “Cookie” and EP “New Jeans” is Anything But Cookie-Cutter
Jul
26
New “_World” Aside, “Sector 17” is a Callback to Seventeen’s Distinct Canon
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