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SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
Join the Seoulbeats Writing Team!
“Supernova” is Campy, Chaotic, and Peak Aespa
Unsung Artists: February 2024
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SB Mid-Year Review, 2024: Experimentation and Storytelling Stand Out in Albums
Dreamcatcher’s “Justice” Struggles with A Cohesive Topic
Red Velvet Play It Safe in “Cosmic”
Jaejoong’s “Flower Garden” Never Quite Reaches Great
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The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
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Kwon Nara
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Seoulbeats Segments
For Your Viewing Pleasure: Sunshine & Rainbows
SB Mid-Year Review, 2024: Bold Imagery is the Name of the (Female-Dominated) MV Game
For Your Viewing Pleasure: Chaos in Colour
Week in Review, 7/8 to 7/14
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Author Archive
Chloe
Author:
Chloe
Apr
11
Twenty-Five Twenty-One, Ep. 9-16: Realistic Buildup Ends in Rushed, Uncharacteristic Ending
Apr
4
NCT Dream Subvert Expectations on “Glitch Mode”
Mar
26
VeriVery Show Power in Restraint in “O”
Mar
20
Moonbin & Sanha Elevate Their Dark and Sultry Sound on “Refuge”
Mar
13
Twenty-Five Twenty-One, Ep. 1-8: A Relatable, Classic Comfort Drama in the Making
Mar
5
Cherry Bullet Enchant in Dreamy Yet Formulaic “Love in Space”
Feb
22
Treasure Take Big Steps Forward, Small Steps Back in The Second Step: Chapter One
Feb
10
Wonpil’s “Voiceless” Cultivates a Compelling Visual Narrative
Jan
31
In “In:vite U,” Pentagon Venture Down a Refreshing New Path
Jan
24
Jinjin and Rocky’s “Restore” is a Burst of Unadulterated Fun
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