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Black Knight: Netflix’s Latest Dystopia Signals the End of Original Apocalypses
Unsung Artists: March – April 2023
Seventeen’s “Super” Reimagines Cultural References with Grandiose Simplicity
NCT DoJaeJung’s “Perfume” Lingers as a Perfect Scent
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Music
The Wind is a Breath of Fresh Air in “Beginning: The Wind Page”
The SB Mixtape, 05/18/2023: Strut
(G)I-dle Tackle Self-image Issues in Y2K Inspired “Allergy” MV
Aespa Become Servants Of Their Music On “My World”
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Black Knight: Netflix’s Latest Dystopia Signals the End of Original Apocalypses
The Heavenly Idol: A Bewildering Story with No Sense of Time
Crash Course in Romance: Lessons on Chemistry and Charming Characters
The Interest of Love: Lack of Direction Leads Premise Astray
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Kim Woo-bin
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Yoo Yeon-seok
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Jung Kyung Ho
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Moon Ga-young
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Film
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Twice
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Seoulbeats Segments
For Your Viewing Pleasure: Grunge Glamour
Week in Review, 5/15 to 5/21
The SB Mixtape, 05/18/2023: Strut
For Your Viewing Pleasure: Piercing Gaze
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SNSD
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September 9, 2010
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