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Black Knight: Netflix’s Latest Dystopia Signals the End of Original Apocalypses
Unsung Artists: March – April 2023
Seventeen’s “Super” Reimagines Cultural References with Grandiose Simplicity
NCT DoJaeJung’s “Perfume” Lingers as a Perfect Scent
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Music
tripleS +(KR)ystal Eyes Reimagine ’90s Pop in “Aesthetic”
“Icky” Sees Kard Dive Into The Surreal
The Wind are a Breath of Fresh Air in “Beginning: The Wind Page”
The SB Mixtape, 05/18/2023: Strut
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Black Knight: Netflix’s Latest Dystopia Signals the End of Original Apocalypses
The Heavenly Idol: A Bewildering Story with No Sense of Time
Crash Course in Romance: Lessons on Chemistry and Charming Characters
The Interest of Love: Lack of Direction Leads Premise Astray
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Kim Woo-bin
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Yoo Yeon-seok
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Jung Kyung Ho
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Moon Ga-young
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Seoulbeats Segments
Beats of the Month: Blackswan, Seventeen’s Variety Charms, and the Slippery Slope of Idols as Influencers
For Your Viewing Pleasure: Portrait Mode
Week in Review, 5/22 to 5/28
For Your Viewing Pleasure: Grunge Glamour
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Tag: TV/Variety
Be Mbitious is All Attitude, Little Substance
Unexpected Business 2: A Second Season Is Not Always Better
Mama the Idol Showcases the Glaring Reality of Ageism in K-pop
“Single’s Inferno”: A Delightful Binge-Watch on Korean Dating
New World Reveals the Good, the Bad, and the Ugly Sides of Humanity
The Netflix K-drama Formula: How the Global Platform is Helping Redefine the Genre
The Great Escape Balances Variety and Storytelling in Its Fourth Season
Superband 2 is a Rock Festival Lacking in Variety
Sixth Sense Loses Its Novelty In Its Second Season
Hangout With Yoo: Yoo Jae-suk Cultivates (Another) Successful Group With MSG Wannabe
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