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All Fetish and No Subversion in Momoland’s “Wrap Me in Plastic”
How K-Pop Became the Perfect Comfort Soundtrack Amid the Pandemic
Roundtable: Favorite Articles of 2020
Interview: The Future is Bright for MCND
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Sunmi’s “Tail” is Chaotic Yet Compelling
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“Loveholic”: A Quintessential NCT 127 Release
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A Love So Beautiful: More Fluff Than Beauty
Lovestruck in the City: An Imperfect but Joyous Celebration of Love
Mr. Queen: Funny at Face Value
True Beauty Ep. 13-16: Romance and Comedy at the Expense of a Powerful Message
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How K-Pop Became the Perfect Comfort Soundtrack Amid the Pandemic
K-pop and its Evolving Relationship with English
The Evolution of Fandom Platforms
BTS’ Grammy Nomination: How Important is it? And What Does it Mean for the Future of K-pop?
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For Your Viewing Pleasure: Languid Luxury
Week in Review, 2/15 to 2/21
Music and Lyrics: Zion.T, The Conflicted Celebrity
The SB Mixtape, 02/18/2021: Food is My Love Language
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Tag: Mamamoo
The SB Mixtape, 1/31/2019: Swaying Not Swinging
Mamamoo Captures the Winter “Blue;s”
Mamamoo’s Fans Boycott: a Warranted Response to Idols Being Overworked
For Your Viewing Pleasure: Classy Comebacks
Mamamoo’s “Red Moon” (Almost) Fires Up Your Summer
Mamamoo’s “Egotistic” is a Visual and Aural Mismatch
SB Mid-Year Review, 2018: Sentimentality and Aesthetics Make MVs Resonate
Mamamoo’s Moonbyul is a “Selfish” Stunner in Solo Debut
The SB Mixtape, 4/8/2018: I Feel Good
Mamamoo Is Lovely (but Unsensational) in “Yellow Flower”
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