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SB Mid-Year Review, 2022: An Abundance of Charismatic Debuts
Nayeon Makes a Spectacularly Simple Solo Debut with “Pop!”
Wonho Misses The Potential to Explore His Duality in “Facade”
Victon Enter a Hazy, Dark Dreamscape in “Stupid O’Clock”
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Music
Kep1er are On the Way Up with “Doublast”
SB Mid-Year Review, 2022: An Abundance of Charismatic Debuts
Side B: Riding the Highs and Lows with Mamamoo
Pixy are Chic, Bewitched Antiheroes in “Reborn”
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Our Blues, Ep. 11-20: Heartwarming and Heartbreaking Till the End
Green Mothers’ Club, Ep. 9-16: The Pursuit of Happiness
Tomorrow: A Flawed but Compassionate Probe into Human Despair
Our Blues, Ep. 1-10: Exploring the Bitter Blues of Life
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Shin Min Ah
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Kim Woo-bin
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Cha Seung-won
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Lee Soo-hyuk
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Film
Drama
TV
Culture
Pass the K-popcorn: Predicting 2022
GOT the Beat: A Disastrous Attempt at Girl Power That Instead Exemplifies K-pop’s Misogyny Problem
Home Sweet Home?: Horror and Home in “Squid Game” and K-pop MVs
Youth, Rebellion, and the Pressure of Korea’s Education Fever
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BTS
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SM Entertainment
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Red Velvet
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BoA
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Taeyeon
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Seoulbeats Segments
For Your Viewing Pleasure: Wild with Prints
SB Mid-Year Review, 2022: An Abundance of Charismatic Debuts
Week in Review, 6/20 to 6/26
Side B: Riding the Highs and Lows with Mamamoo
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