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Editors' Picks
Tomorrow: A Flawed but Compassionate Probe into Human Despair
Monsta X’s “Shape of Love” is Finely-Tuned K-pop That Comes From Experience
Jessi Criticises the Toxicity and Artificiality of Social Media in “Zoom”
Woodz: K-pop’s Professional Virtuoso
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Jessi
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Oneus are Cunning and Confident (and maybe Time Travelers) in “Trickster”
AB6IX’s “Savior” is Unfortunately Underwhelming
Oneus Exude Confidence and Energy in “Bring it on”
Woosung Highlights the Beauty Within the Seemingly Mundane with “Moth”
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Album Review
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Oneus
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Tomorrow: A Flawed but Compassionate Probe into Human Despair
Our Blues, Ep. 1-10: Exploring the Bitter Blues of Life
Pachinko: An Ambitious and Epic Family Portrait of Resilience
Green Mothers’ Club, Ep. 1-8: A Critique on the Pressures of Academic Success
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Shin Min Ah
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Kim Woo-bin
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Cha Seung-won
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Lee Soo-hyuk
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Film
Drama
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Pass the K-popcorn: Predicting 2022
GOT the Beat: A Disastrous Attempt at Girl Power That Instead Exemplifies K-pop’s Misogyny Problem
Home Sweet Home?: Horror and Home in “Squid Game” and K-pop MVs
Youth, Rebellion, and the Pressure of Korea’s Education Fever
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BTS
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SM Entertainment
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Red Velvet
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BoA
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Taeyeon
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Seoulbeats Segments
Beats of the Month: “Queendom 2” & Summer Bops from Old Faves and New Stars
For Your Viewing Pleasure: Lines and Light
Week in Review, 5/16 to 5/22
The SB Mixtape, 05/19/2022: Unwind with Chill Hip Hop
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For Your Viewing Pleasure (FYVP)
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Tag Archive
Tag: Best Indie (MYR/EYR)
SB End-of-Year Review, 2021: The Shape of Indie in 2021
SB Mid-Year Review, 2021: In the Name of Indie
SB End-of-Year Review, 2020: Indie Persists Despite the Pandemic
SB Mid-Year Review, 2020: Diving into the Poeticism of Indie
SB End-of-Year Review: South Korea Has a Stellar Year for Indie
SB Mid-Year Review, 2018: The Movers and Breakers of Indie
SB End-of-Year Review, 2017: Indie’s Shining Stars
SB Mid-Year Review, 2017: The Crossover Potential of K-Indie
SB End-of-Year Review, 2016: For the Love of Everything Indie
SB Mid-Year Review, 2016: Indie Music’s Soundcloud Superheroes
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