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The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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“Happy” Reflects the Best of Jin’s Voice and Values
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G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
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KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
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A Shop for Killers: Rich in Secrets and Action
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The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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For Your Viewing Pleasure: Pop, Pop, Pop
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Tag: Album Review
Jay Park’s “Nothing Matters” Shares a Vulnerable Side
Chungha Flaunts Herself on “Flourishing”
Versatile or Chaotic? Red Velvet Lose Direction with “The ReVe Festival Day 1”
“True Colours” Brings Out Yunho’s Musicality
Noir Incidentally Explore Themselves in “Abyss”
Giriboy’s “100 Years: College Course”: Redefining the Musician as Archivist and Storyteller
Emboldened Moves In Lee Hi’s 24℃
Yoona’s “A Walk To Remember” Is Easy To Forget
Got7 Goes on a Journey with “Spinning Top: Between Security and Insecurity”
WayV is Ready to “Take Off” in Their First EP
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