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Unsung Artists: February 2024
Unsung Artists: January 2024
My Demon: Choices and Consequences
The Cross-Genre Experiment Fails in Gyeongseong Creature Ep 8-10
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The SB Mixtape, 04/18/2024: Love is Elemental
J-Hope Returns to His Dance Roots to Resolve His Doubts with “Hope on the Street Vol. 1”
NCT Dream Go for Grown-up on “Dream()scape”
The SB Mixtape, 4/4/2024: A Shot of Energy
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Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
The Cross-Genre Experiment Fails in Gyeongseong Creature Ep 8-10
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Park Min-young
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Park Seo-joon
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Lee Dong-wook
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Seoulbeats Segments
The SB Mixtape, 04/18/2024: Love is Elemental
For Your Viewing Pleasure: Sunshine & Midnights
Week in Review, 4/8 to 4/14
The SB Mixtape, 4/4/2024: A Shot of Energy
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Tag Archive
Tag: Album Review
Woosung Opts for Simplicity in “Wolf”
Baekhyun’s “City Lights” Is Adequate at Best
Day6’s “The Book of Us: Gravity” Envelopes Listeners in a Warm Embrace
Jay Park’s “Nothing Matters” Shares a Vulnerable Side
Chungha Flaunts Herself on “Flourishing”
Versatile or Chaotic? Red Velvet Lose Direction with “The ReVe Festival Day 1”
“True Colours” Brings Out Yunho’s Musicality
Noir Incidentally Explore Themselves in “Abyss”
Giriboy’s “100 Years: College Course”: Redefining the Musician as Archivist and Storyteller
Emboldened Moves In Lee Hi’s 24℃
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