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Unsung Artists: February 2024
Unsung Artists: January 2024
My Demon: Choices and Consequences
The Cross-Genre Experiment Fails in Gyeongseong Creature Ep 8-10
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Onewe Know Their Niche in “Planet Nine: Isotropy”
Bite Review: Zico and Jennie are Effortlessly Hip in “Spot!”
‘Yuq1’ Highlights Yuqi’s Weaknesses
The SB Mixtape, 04/18/2024: Love is Elemental
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Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
The Cross-Genre Experiment Fails in Gyeongseong Creature Ep 8-10
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Park Min-young
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Park Seo-joon
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Lee Dong-wook
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Han So-hee
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Seoulbeats Segments
Week in Review, 4/29 to 5/5
Beats of the Month: Ador v. Hybe, & Tunes For the Changing Seasons
For Your Viewing Pleasure: An Edgy Spring
Week in Review, 4/22 to 4/28
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SBS Gayo Daejeon 2021: Stellar Moments Amidst a Sea Of Mediocrity
SB End-of-Year Review, 2021: Second- and Fourth-Generation Comebacks Lead the Way
Side B: Iz One’s Bold Blend of Cuteness and Sophistication
Brave Girls Experience Tumultuous Post Breakup Grief in “After We Ride”
Red Velvet’s “Queendom” is Sweet Comfort to Fans
Beats of the Week: The Accidental TXT Appreciation Roundtable
SF9’s “Turn Over” Is Good, but It Could’ve Been Great
Brave Girls are “Rollin” Their Way to the Top. But Will This Fairy Tale Have a Happy Ending?
Hyuna Sheds the Bindi but not the Orientalism in “I’m Not Cool” MV
(G)I-dle are Simply Vulnerable in “Hwaa”
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