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Editors' Picks
The Evolution of the K-pop Album: From Profitability to Innovation
Bite Review: Yeonjun Impresses as a Performer but Falters Musically with “Ggum”
Jimin’s Artistic Evolution Shines in “Muse”
SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
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Red Velvet
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Girls' Generation (SNSD)
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TXT (Tomorrow X Together)
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“Happy” Reflects the Best of Jin’s Voice and Values
The SB Mixtape, 11/14/2024: Surprises
G-Dragon’s “Power”: A Triumphant Return and a Bold Critique of His Drug Scandal
“Imaginary Friend” Sets a New Standard for Itzy’s Artistry
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Album Review
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Big Bang
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BTS
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G-Dragon
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Idols
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KCON LA Aspires for a Festival Feel and a Wider Reach
The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
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Taemin
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Concert Review
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Zico
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NCT 127
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Film
Drama
TV
Culture
The Evolution of the K-pop Album: From Profitability to Innovation
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
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TV/Variety
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Red Velvet
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Girls' Generation (SNSD)
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Twice
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Seoulbeats Segments
For Your Viewing Pleasure: Cool Blue Dawn
Week in Review, 11/11 to 11/17
The SB Mixtape, 11/14/2024: Surprises
For Your Viewing Pleasure: Pop, Pop, Pop
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For Your Viewing Pleasure (FYVP)
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Shinee
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SB Week in Review
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The SB Mixtape, 05/19/2022: Unwind with Chill Hip Hop
TXT Say Goodbye to Chaos in “minisode 2: Thursday’s Child”
Woosung Transforms into a Solo Artist for “Phase Me”
Woodz’s “Colorful Trauma”: A Kaleidoscopic Take on Pop-Rock
Le Sserafim’s “Fearless” is Not Fearless Enough
iKon Play It Safe in “Flashback”
Le Sserafim Debuts with Surprisingly Minimalist “Fearless”
Monsta X Perfects a Flashy, Dazzling “Love” Song
Side B: Woodz’s Genre-Transcending Discography
The SB Mixtape, 04/21/2022: Contrast is King
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