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SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
Join the Seoulbeats Writing Team!
“Supernova” is Campy, Chaotic, and Peak Aespa
Unsung Artists: February 2024
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SB Mid-Year Review, 2024: Experimentation and Storytelling Stand Out in Albums
Dreamcatcher’s “Justice” Struggles with A Cohesive Topic
Red Velvet Play It Safe in “Cosmic”
Jaejoong’s “Flower Garden” Never Quite Reaches Great
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The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
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Park Min-young
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Lee Dong-wook
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Kwon Nara
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Kim Hye-jun
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Film
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Culture
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Seoulbeats Segments
For Your Viewing Pleasure: Sunshine & Rainbows
SB Mid-Year Review, 2024: Bold Imagery is the Name of the (Female-Dominated) MV Game
For Your Viewing Pleasure: Chaos in Colour
Week in Review, 7/8 to 7/14
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Author Archive
Zea
trying to fill the void in my soul with bubble tea and winner's—and f(x)'s and bts's—discography
Author:
Zea
Nov
3
Brown Eyed Girls Subvert Norms in “Wonder Woman”
Sep
12
Simon Dominic Opts for a Commercial Sound in “No Open Flames”
Aug
19
Jinu’s “Call Anytime” Is Fun and Refreshing
Jul
17
Does Lana Deserve to Debut?
Jul
15
Jay Park’s “Nothing Matters” Shares a Vulnerable Side
Jul
7
Unsung Artists: June 2019
Jun
1
NCT 127 Test Their Vocal Powers in “Superhuman”
May
16
WayV is Ready to “Take Off” in Their First EP
Apr
27
Super Junior D&E’s Artistry is Lost in “Danger”
Jan
5
Jiyeon Longs For Love In “One Day”
1
2
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