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SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
Join the Seoulbeats Writing Team!
“Supernova” is Campy, Chaotic, and Peak Aespa
Unsung Artists: February 2024
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SB Mid-Year Review, 2024: Experimentation and Storytelling Stand Out in Albums
Dreamcatcher’s “Justice” Struggles with A Cohesive Topic
Red Velvet Play It Safe in “Cosmic”
Jaejoong’s “Flower Garden” Never Quite Reaches Great
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The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
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Kwon Nara
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Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Seoulbeats Segments
For Your Viewing Pleasure: Sunshine & Rainbows
SB Mid-Year Review, 2024: Bold Imagery is the Name of the (Female-Dominated) MV Game
For Your Viewing Pleasure: Chaos in Colour
Week in Review, 7/8 to 7/14
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Author Archive
Victoria
Author:
Victoria
Aug
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The Boyz Show They are Versatile, Relatable, and “Thrill-ing” with their Newest Album
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Retro-Futuristic and Apocalyptic: Golden Child’s “Game Changer”
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Fusion, Karma, and Nirvana in Kingdom’s “History of Kingdom: Part II. Chiwoo”
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Mermaids Turned Siren: A.C.E.’s “Siren: Dawn”
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Bright, Eclectic, and Quirky: BamBam’s “riBBon”
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Moonlight and Stellar Musicianship: N.Flying’s “Man on the Moon”
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With Sunny Vibes Ghost9 Deviate from their Technopop Past in “NOW: When we are in Love”
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Hopeful Sadness Exemplified in Jung Seunghwan’s “Five Words Left Unsaid”
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Funk, Sci-fi, and 42: Oneus’ “Binary Code”
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13
Lust, Queerness, and Redemption in OnlyOneOf’s “Instinct, Pt. 1”
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