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SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
Join the Seoulbeats Writing Team!
“Supernova” is Campy, Chaotic, and Peak Aespa
Unsung Artists: February 2024
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SB Mid-Year Review, 2024: Experimentation and Storytelling Stand Out in Albums
Dreamcatcher’s “Justice” Struggles with A Cohesive Topic
Red Velvet Play It Safe in “Cosmic”
Jaejoong’s “Flower Garden” Never Quite Reaches Great
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The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
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Park Min-young
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Lee Dong-wook
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Kwon Nara
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Kim Hye-jun
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Film
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Culture
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Twice
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NCT
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Seoulbeats Segments
For Your Viewing Pleasure: Sunshine & Rainbows
SB Mid-Year Review, 2024: Bold Imagery is the Name of the (Female-Dominated) MV Game
For Your Viewing Pleasure: Chaos in Colour
Week in Review, 7/8 to 7/14
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Author Archive
Kameka
Author:
Kameka
Sep
27
Everglow Shakes Things Up With “-77.82 x -78.29”
Aug
21
SM Station: Four Years Later
Jul
25
Hyo’s “Dessert” is a Delectable Concoction
Jul
13
Chungha Turns Spring Into Summer in “Play”
Jun
16
Youngmin, AB6IX, and the History of Rookie Idol Scandals
Jun
6
Twice’s Latest Release Showcases “More & More” Maturity
May
28
A Good Day to Re-debut: Whether Idols Trying Again Works or Not
May
16
IU Looks for Happiness Under the Orange Sun in “Eight”
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