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SB Mid-Year Review, 2024: Leading Debuts Reflect Industry Disruptions
Join the Seoulbeats Writing Team!
“Supernova” is Campy, Chaotic, and Peak Aespa
Unsung Artists: February 2024
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SB Mid-Year Review, 2024: Experimentation and Storytelling Stand Out in Albums
Dreamcatcher’s “Justice” Struggles with A Cohesive Topic
Red Velvet Play It Safe in “Cosmic”
Jaejoong’s “Flower Garden” Never Quite Reaches Great
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The Midnight Studio: Tackling Death with Choice
Marry My Husband Attempts to Seduce 4B Feminists with Promises of Girlboss Success
A Shop for Killers: Rich in Secrets and Action
My Demon: Choices and Consequences
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Kwon Nara
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Culture
Boys Planet: The End of “K-pop” As We Know It
Ageism and Age Bias in K-pop
Kim Garam and the Power of Fans in Shaping Idol Narratives
Pandemic Blues: The Struggle of Small Companies and Idol Groups
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Seoulbeats Segments
For Your Viewing Pleasure: Sunshine & Rainbows
SB Mid-Year Review, 2024: Bold Imagery is the Name of the (Female-Dominated) MV Game
For Your Viewing Pleasure: Chaos in Colour
Week in Review, 7/8 to 7/14
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Author Archive
Isabella
Currently shackled to the monstrosity more commonly referred to as the American education system.
Author:
Isabella
Oct
31
TXT Examine Youth Through Myriad Angles In “minisode1”
Oct
9
Black Pink’s “The Album” Largely Conforms to Expectations
Sep
28
SuperM’s Seven Members Finally Become “One”
Sep
14
Taemin Gets Vulnerable With “Never Gonna Dance Again: Act 1”
Sep
5
A.C.E’s “Favorite Boys” is Musically Fantastic but Visually Appropriative
Sep
2
Cravity’s Group Identity Remains Hard to Find in “Hideout: Season 2”
Aug
20
Itzy’s “Not Shy” is a Playful Spin on Westerns
Aug
10
Treasure’s “Boy” Fails to Live Up to the Hype
Aug
5
Ateez’s “Zero: Fever Pt. 1” is Inspiring But Uninspired
Jul
13
Irene & Seulgi’s “Monster” is a Massive Disappointment
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